[Voxnovus] NM421> August 22, 2014 - EARLY EDITION - PERFORMANCE: 60x60 at Birmingham New Music Festival - REVIEW: Persistence is Important for Success by David Morneau - RESULTS: Fifteen-Minutes-of-Fame with New Thread Quartet
Robert Voisey (Vox Novus)
RobVoisey at VoxNovus.com
Wed Aug 20 08:26:25 EDT 2014
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<http://www.voxnovus.com/NM421/issue/14-08-22.htm>
<http://www.voxnovus.com/NM421> New Music for the 21st Century
< <http://www.voxnovus.com/NM421/issue/14-08-15.htm> August 22, 2014
<http://www.voxnovus.com/NM421/issue/14-08-29.htm> >
VOX NOVUS NEWSLETTER - New Music for the 21st Century
> POSTCARD: 100 Headphones
Vox Novus Calendar
> PERFORMANCE: 60x60 at Birmingham New Music Festival
> REVIEW: Persistence is Important for Success by David Morneau
> RESULTS: Fifteen-Minutes-of-Fame with New Thread Quartet
OPPORTUNITIES
> Composer Opportunites on Music Avatar
> Composer's Site - new opportunities
> Composer's Site - expiring opportunities
100 Headphones
100 Headphones
<http://www.voxnovus.com/NM421/issue/postcard/14-08-22-100_Headphones.jpg>
Pablo Pringler was a big fan of John Cage's music, especially those tunes
that availed themselves of emerging technologies. At university, he formed
an ensemble that played "Radio Music for Eight Radios," and later conducted
"Imaginary Landscape No. 4" for twelve radios. So when he changed his major
from train spotting to composition, he can be forgiven for writing music in
a similar vein. Alas, his "Music for 100 Headphones" did not impress his
professors, as it was audible only to the players - which, they professed,
missed the point of a public performance. Pablo soon again embraced a train
spotting major which, as it later turned out, benefited everyone (and which
is, of course, another story).
<http://www.davidgunn.org> David Gunn
<http://www.davidgunn.org> David Gunn
www.DavidGunn.org
Upcoming Performances
Oboist Robert Botti <http://www.NM421.com/img/14-08-22-BNMF_poster.jpg>
60x60 <http://www.voxnovus.com/img/60x60_2004_logo_large.jpg>
60x60 on Birmingham New Music Festival
The Birmingham Art Music Alliance announces the inaugural Birmingham New
Music Festival, to take place on August 21, 22, and 23 of 2014. Six diverse
programs will offer exhilarating newly-composed music by Alabama-based
composers, and five visiting composers selected from an international call -
including Rusty Banks (Lancaster, PA), Patrick Greene (Boston, MA), Sarah
Horick (Washington DC), Joshua Marquez (Iowa City, IA), and Robert G.
Patterson (Memphis, TN). Featured performers include Amion String Quartet,
Lori Ardovino (clarinet), Adam Bowles (piano), Kathryn Fouse (piano), Alan
Goldspiel (guitar), Craig Hultgren (cello), and Laura Usiskin (cello).
<http://fest.artmusic.org/wp-content/uploads/2014/08/BNMF_2014_program_web_v
ersion.pdf> Click here for festival concert program.
The opening event at Moonlight on the Mountain begins with the 60X60 2012
International Mix - sixty one-minute electronic works presented continuously
in an hour performance - followed by a set of improvisatory works
facilitated by LaDonna Smith. Two Friday concerts at Brock Recital Hall on
the campus of Samford University will feature acoustic chamber music
appropriate to the intimate space. The final three programs on Saturday will
take place at University of Alabama at Birmingham's Hulsey Recital Hall, and
include acoustic, electroacoustic, and interdisciplinary works.
All festival events are free and open to the public. The Birmingham New
Music Festival is made possible by grants from the Alabama State Council on
the Arts, the National Endowment for the Arts, and New Music USA.
Thursday
60X60 2012 International Mix and
free improvisations featuring LaDonna Smith and friends.
Birmingham New Music Festival 2014 - Opening Concert
Thursday, August 21 at 7:30 pm - 10:00 pm
Moonlight on the Mountain,
585 Shades Crest Road,
Birmingham, Alabama 35226
FREE ADMISSION
The opening concert at Moonlight on the Mountain begins with the 60X60 2012
International Mix -a one-hour music extravaganza of 60 one-minute electronic
pieces run back-to-back, with images by James Willett and butoh by Ashley
Muth & Deborah Mauldin. Following 60X60, there will be 2 thirty-minute sets
of improv featuring Susan Hefner, Michael Evans, Davey Williams, LaDonna
Smith, Brad Davis, and Si Reasoning.
Composers in the 60x60 2012 International mix include:
Anita Andreis, Ieva Berberian, Steve Betts, Valentino Bosi, Ben Bridges,
Warren A Burt, Elliott Butt, Luis Martin Capella, Joel Chadabe, Juan
Chattah, Meat Cove Choir, "Dofi", Angel Faraldo, Thomas Gerwin, Murray
Gordon Gross, Will Hickl, Lisa Hogan, Yoko Honda, Adam Scott Johnson, Brad
Kemp, Mari Kimura, Michael Kinney, Gerard Lebik, HyeKyung Lee, Cyprian Li,
John Link, Stan Link, Derck Littel, Mika Martini, Mike McFerron, Angela
McGary, Shaahin Mohajeri, Peter Mottram, KO. DO. NA, Julia Norton, Emma
O'Halloran, Cezary Maciej Ostrowski, Maggi Payne, Rotem Perach, Michael
Peters, Kala Pierson, Diego Felipe Pinzon Garcia, Juan Ramirez, Robert
Ratcliffe, Gilberto Assis Rosa, Ronan Rubline, Paul Russell, Paul Scea, Alan
Shockley, Nigel Lorimer Simpson, Cris Sirc, SKULFUK, Laurie Spiegel, Captain
Thomas Taglienti, Shinichiro Toyoda, Dixie Treichel, Jeremy Van Buskirk,
Jane Wang, Greg Winston, and Kristina Wolfe
Friday
Birmingham New Music Festival at Samford University - Concert #1
Friday August 22 at 4:00 pm - 5:15 pm
Samford University - Brock Recital Hall,
800 Lakeshore Drive
Birmingham, Alabama 35228
FREE ADMISSION
On the Program: Aurelia Lavette Gooden - Forgotten, clarinet & piano;
Matthew Scott Phillips - Circles of Misunderstanding, cello & piano; Kenneth
Kuhn - Song of the American Frontier, piano; Alan Goldspiel - The Sword and
the Lute, soprano saxophone & guitar; Ron Wray - Affirmation, clarinet,
cello & piano; Lori Ardovino - Turning Point, clarinet, trumpet & guitar;
Patrick Greene - abstractEXTRACTION, flute, clarinet, cello & piano;
Birmingham New Music Festival at Samford University - Concert #2
August 22 at 7:30 pm - 8:45 pm
Samford University - Brock Recital Hall,
800 Lakeshore Drive,
Birmingham, AL 35228 United States
FREE ADMISSION
On the Program: James A. Jensen - Assorted Departures, clarinet & cello;
Bryan Page - The Edith Poems, baritone & piano; Joseph Landers - String
Quartet No. 2, string quartet; Brian C. Moon - String Quartet #2, string
quartet;
Birmingham New Music Festival
<http://www.NM421.com/img/14-08-22-BNMF_musicians.jpg>
Saturday
Birmingham New Music Festival at
University of Alabama at Birmingham - Concert #1
August 23 at 1:00 pm - 2:00 pm
Hulsey Recital Hall, University of Alabama at Birmingham
950 13th Street South
Birmingham, Alabama
FREE ADMISSION
On the Program: Edwin Robertson - Night Scenes, cello; Duration: 5 minutes
(Hultgren) Aubrey Mills, Le Vide, electronic; Michael Coleman - Sonate
(2002), piano; Kaija Saariaho - Sept Papillions, cello; Sarah Horick -
Looking-Glass Changes, clarinet & electronics;
Birmingham New Music Festival at
University of Alabama at Birmingham - Concert #2
August 23 at 4:00 pm - 5:15 pm
Hulsey Recital Hall, University of Alabama at Birmingham
950 13th Street South
Birmingham, Alabama
FREE ADMISSION
On the Program: Cynthia Miller - Knock Knock, Who's There, percussion;
Wesley Johnson - An Announcement?, electronic; Raphael Crystal - Robert
Burns Songs, soprano, baritone, & piano; Mark Lackey - Starscapes, piano;
Joshua Marquez - Putrefication, electronics; Rusty Banks - Liquid Fire,
ecello, electronics and video; Joel Scott Davis - Theatrical Distances,
clarinet, cello & piano;
Birmingham New Music Festival at
University of Alabama at Birmingham - Concert #3
August 23 at 7:30 pm - 8:15 pm
Hulsey Recital Hall, University of Alabama at Birmingham
950 13th Street South
Birmingham, Alabama
FREE ADMISSION
On the Program: William Price - A Southern Prelude (Sans Titre VIII), solo
piano; Philip Schuessler - Monochrome Variations, cello & electronics;
Robert Patterson - From War's Alarms, piano; Holland Hopson - Sudden Swan,
banjo, voice & live electronics; Monroe Golden - Alabama Places, piano &
microtonal keyboard;
Birmingham New Music Festival
<http://www.NM421.com/img/14-08-22-BNMF_support.jpg>
Calendar
<http://www.voxnovus.com/calendar> Calendar of Vox Novus Events
<http://www.voxnovus.com/NM421/issue/stats/001_the_composers.jpg> 60x60
Composers Statistics
Persistence is Important for Success
60x60 Composer Statistics
Next year Vox Novus will be 15 years old. It's a big milestone-old enough to
raise some ruckus, but not old enough to legally drive. Anniversaries like
this one are good opportunities to take stock and clarify one's vision for
moving forward. There are some exciting plans in the works, which will be
announced in due time. I'm here about the look back.
There are several ways to approach looking at an organization's history. For
Vox Novus, I think the important contributions, the substantive
achievements, can be illustrated with numbers. There are a lot of impressive
numbers to be found when digging through the first fifteen years of work. I
have been digging and I am at work putting together a comprehensive fifteen
year report. This will include all of the numbers I'm finding in the
collected production data. The report will divide the data by project
(60x60, Composer's Voice, Circuit Bridges, Fifteen Minutes of Fame) and will
demonstrate the scope of each with careful data analysis.
Over the next several months I will share the graphs I'm making here on
NM421.
Click here to see a PDF of 60x60 Composer Graph
<http://www.voxnovus.com/NM421/issue/stats/001_the_composers.pdf>
The first graphs shows the submission and selection data for 60x60. Each row
represents a single composer and each column a single year. The graph covers
the first ten years of 60x60 (2003-2012). Light green indicates that the
composer was selected for a single mix that year. Dark green indicates that
the composer was selected for more than one mix in that year. Orange
indicates that the composer submitted music, but was not selected. No color
indicates that the composer did not submit this year.
Some composers' participation is indicated by horizontal black lines. This
means that the composer has submitted and been selected every year after
their first year in the project. I'm one of these lines. I first submitted
in 2006 and was a part of the Midwest Mix that year. Since then I've
submitted music every year, and am honored to have been selected every year.
When I began putting the data together I thought that there would be a lot
more continuous participation than there is. Only one composer who was
involved in the inaugural 60x60 mix kept submitting every year after that.
There are a couple of other things worth noting in this graph. The growth in
terms of composers involved can be clearly seen. There were 96 composers who
submitted pieces for the first call. By the end of the tenth call for works,
2950 composers had submitted at least one time. Of these, 1845 (63%) had
been selected at least one time.
2010 was a big year in terms of amount of music presented. This was the year
that 60x60 was featured at ICMC. It was also the year of the Order of
Magnitude Mix, a massive 600 piece mix presented as an installation at a
gallery in Canada. All 600 of these pieces were chosen from previously
selected works, which can be seen easily on the graph.
The other trend that is very easy to see is that most composers submit only
once, regardless of their being selected or not. This is a little obscured
by the Order of Magnitude Mix in 2010. But if you ignore that for the moment
you can see that most composers only are involved once. This is especially
noticeable with the composer who submit and are not selected.
Persistence is important for success. We hear this sentiment often. It's
almost a cliche. Looking at this graph though, it seems that many of us
don't practice persistence. So, if you're reading this and have only
submitted to 60x60 once (or never), consider making this the year that you
submit again. There are several different calls for 60x60 pieces, and more
to come. http://www.60x60.com/calls/
Stay tuned for the next graph, which will examine the different 60x60 mixes.
<http://5of4.com/> David Morneau
<http://5of4.com/> David Morneau
http://5of4.com/
David Morneau is a composer of an entirely undecided genre, a provider of
exclusive unprecedented experiments.
New Thread Quartet
<http://www.voxnovus.com/15_Minutes_of_Fame/images/Fifteen-Minutes-of-Fame_N
ew_Thread_Quartet.jpg>
<http://www.voxnovus.com/member/pic/New_Thread_Quartet_02.jpg>
Announcing results for
Fifteen-Minutes-of-Fame: with New Thread Quartet
Vox Novus called for one-minute pieces for The New Thread Quartet The
premiere will be performed on the Composer's Voice concert series, Sunday
January 11, 2015 at the Jan Hus Church in New York City.
Founded in 2011, New Thread Quartet is committed to the creation and
performance of saxophone quartet repertoire from New York's burgeoning new
music scene. Members of the ensemble are active as composers, performers,
educators and industry professionals within the five boroughs, and share the
goal of commissioning, and working closely with, New York City composers to
develop impactful new works for the saxophone.
Now in its fourth season, New Thread has performed for a wide range of
audiences and venues within the five boroughs, including Dance Theatre of
Harlem, Bronx Community College, D'Addario Chelsea/Collective School,
Dimmena Center's NYsoundCircuit, Con Vivo's Mercado Park Concert Series
(Jersey City), South Oxford Space, Firehouse Space, JACK (Brooklyn), and
Flushing Library in Queens.
The quartet has toured widely in the US and abroad, performing at the 2012
NAVY Band Symposium in Fairfax, Virginia, the NASA Biennial Conference at
Arizona State University, New England Conservatory's Jordan Hall and
internationally at the World Saxophone Congress in St. Andrews, Scotland.
This spring, New Thread will perform at the University of Illinois and will
premiere Erin Rogers' piece Mother Earth for flute and saxophone quartet, at
Weill Hall, Carnegie Hall, with support from a JFund grant.
Nearly all works programmed by New Thread have been written for the group by
New York-based composers. Commissions and collaborations include composers
Richard Carrick, Anthony Gatto, Gilbert Galindo, Miguel Bolivar, Kati Agocs,
Roberto Kalb, Marcelo Lazcano, Michael Djupstrom, Paul Pinto, Erin Rogers,
Ben Hjertmann, Pat Muchmore and Luke Schwartz.
<http://www.voxnovus.com/member/pic/Geoffrey_Landman.jpg>
Geoffrey Landman is a New York City based performer, teacher, and advocate
of the saxophone and new music. He has collaborated with ensembles such as
Either/Or, Talea Ensemble, Boston Modern Orchestra Project, Argento New
Music Project, and is a founding member and soprano chair of the New Thread
Quartet. Geoffrey has worked with composers such as Bernhard Lang, Christian
Lauba, and Philippe Leroux among others. Geoffrey holds degrees from the
University of Michigan (BM), University of Cincinnati College-Conservatory
of Music (MM), Post-graduate work at the Musik-Akademie der Stadt Basel in
Switzerland, and is currently working toward his Doctoral degree at the New
England Conservatory as the first DMA candidate for saxophone performance in
the school's history.
<http://www.voxnovus.com/member/pic/Kristen_McKeon.jpg>
Currently residing in NYC, saxophonist, Kristen McKeon, is thrilled to be a
member of the D'Addario & Company's Woodwind Division-working as a Woodwind
Product Specialist, Artist Relations Manager, and Product Development
Advisor. Appearances include performances at the Navy Band Saxophone
Symposium, several North American Saxophone Alliance Biennial Conferences,
and the 2012 World Saxophone Conference in St. Andrews, Scotland. Kristen
has enjoyed opportunities to be billed on several concert series and
festivals including Carmel Music Society's Summer Subscription Series,
thingNY's Seven Immediacies Series, the New England Conservatory Composers'
Series, and the Composers Now Festival in NYC. An experienced clinician,
Kristen travels throughout the U.S. giving talks on instrument accessories
manufacturing for D'Addario Woodwinds, careers in music, and effective
methods for collaboration with the music industry. Kristen is also a
founding member of New Thread Quartet (New York, NY). New Thread Quartet is
committed to the creation and performance of new music.
<http://www.voxnovus.com/member/pic/Erin_Rogers.jpg>
Erin Rogers is a Canadian saxophonist and composer based in New York City.
Her works have been premiered by performers such as the Gotham Ensemble,
Colin Davin, Miranda Cuckson, and the Warszynski Trio, as well as Chicago's
Anubis Quartet and Madrid's Tribuna Sax-Ensemble. She has performed with
ensembles such as IKTUS, Lost Dog Ensemble and Fireworks and is a founding
member of performance groups thingNY and the New Thread Quartet. Erin
completed undergraduate studies at the University of Alberta and received
Masters Degrees in composition and performance from Bowling Green State
University. Visit www.erinmrogers.com for more information.
<http://www.voxnovus.com/member/pic/Zach_Herchen.jpg>
Saxophonist Zach Herchen performs music ranging from classical trios to jazz
tone poems, multimedia works, afrobeat, and beyond. He is a 2013 Bang on a
Can Summer Festival Fellow, has worked on staff at New England
Conservatory's Summer Institute for Contemporary Performance Practice, and
has performed as a soloist in Italy, Sweden, Germany, and at various
American institutions. Zach holds M.M. and B.M. degrees from The Peabody
Conservatory.
Works selected for this Fifteen Minutes of Fame include:
Synthetic Fog by Lauren Buscemi,
I Took the A Train by Masatora Goya,
VRI by Hanan Hadzajlic,
Scatter!/i> by Dillon Henry,
Homonym by Emily Koh,
Movement #001 by Kaori Nakano,
Darvaze by Paolo Pecin,
Fading Glares by Silvia Pepe,
Shigurekana by Richard Pressley,
Ronroneo by Juan Maria Solare,
1267 Notes by Keane Southard,
Menyan (Incense) by Ivan Tangkulung,
The Conception of Chaos by Maxwell Tfirn,
Dramma breve by Luca Vanneschi, and
Threads by Blair Whittington
<http://www.voxnovus.com/15_Minutes_of_Fame/featuring/New_Thread_Quartet/>
You can find more information here
http://www.voxnovus.com/15_Minutes_of_Fame/featuring/New_Thread_Quartet/
Opportunities on Music Avatar
<http://www.MusicAvatar.org>
Opportunities
Music Avatar is a great new way to upload works for composer opportunities
hassle free! You will be able to submit, update, and modify your submission
all the way up to the deadline date of the opportunity. www.MusicAvatar.org
<http://www.composerssite.com/new_opp> Composer's Site
Click Here for New Opportunities <http://www.composerssite.com/new_opp>
<http://www.composerssite.com/expiring_opp> Composer's Site
Click Here for Expiring Opportunities
<http://www.composerssite.com/expiring_opp>
Tweets by @VoxNovus <https://twitter.com/VoxNovus>
Vox Novus Projects
<http://www.voxnovus.com> Vox Novus
<http://www.60x60.com> 60x60
<http://www.ComposersVoice.com> Composer's Voice
<http://www.Fifteen-Minutes-of-Fame.com> Fifteen Minutes of Fame
<http://www.CircuitBridges.com> Circuit Bridges
<http://www.voxnovus.com/resources/American_Composer_Timeline.htm> American
Composer Timeline
<http://www.ComposersSite.com/> Composer's Site
<http://www.NM421.com> NM421 - New Music for the 21st Century
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2014
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