[Voxnovus] NM421> December 12, 2014 - REVIEW: All in the Variety - Composer's Voice - December Dance - ANNOUNCEMENTS Fifteen-Minutes-of-Fame with Hayk Arsenyan - Fifteen Minutes of "Infamy" - Robert Dick - Fifteen-Minutes-of-Fame with Andrew White
Robert Voisey (Vox Novus)
RobVoisey at VoxNovus.com
Fri Dec 12 16:38:04 EST 2014
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VOX NOVUS NEWSLETTER - New Music for the 21st Century
> POSTCARD: Sticking It Out
> REVIEW: All in the Variety
> Composer's Voice - December Dance
Vox Novus Calendar
ANNOUNCEMENTS
Fifteen-Minutes-of-Fame with Hayk Arsenyan
Fifteen Minutes of "Infamy" - Robert Dick
Fifteen-Minutes-of-Fame with Andrew White
OPPORTUNITIES
> Composer Opportunites on Music Avatar
Sticking it Out
Sticking it Out
<http://www.voxnovus.com/NM421/issue/postcard/14-12-12-Sticking_it_Out.jpg>
Deependra Dinklaker had been concertmaster of the Hoosegow Symphony for 15
years, most of which had been good years. But of late, a tic had developed
in Maestro Pringlers right hand, rendering his batonwork erratic. On
umpteen occasions, Pringler had poked Dinklaker with the baton, which the
great conductor idiosyncratically kept as sharp as a tack. Nevertheless, for
the good of the orchestra, the violinist vowed to stick it out. How ironic
those word became when a particularly violent twitch from Pringler caused
the baton to stick out of Dinklakers forehead during the fencing scene in
Romeo and Juliet. The audience, of course, loved the extracurricular drama,
but Deependra had had enough. Once the concert was over and his wound
bandaged, he called it quits. No matter orchestra management in the person
of the lovely Harriet Nosebob tried to dissuade him, Dinklaker was resolute.
He was much less so after Harriet had explained that a toxin on the tip of
the baton was now coursing through his bloodstream and could only be managed
by a regimen of antibiotics that orchestra management was happy to provide.
At the conclusion of each concert. For the next 15 contract-non-negotiable
years. Oh, Deependra vowed revenge, but thats, you know, another story.
<http://www.davidgunn.org> David Gunn
David <http://www.davidgunn.org> Gunn
www.DavidGunn.org
Compooser's Voice
<http://www.voxnovus.com/img/Composers_Voice_logo_2012.jpg>
All in the Variety
Composer's Voice, October 12, 2014
Review by Jack Crager
The October 12 Composers Voice concert at Jan Hus Church is a blend of
conventional instrumentation with quirky ideas. With subject matter ranging
from molecular physics to meteorology, from parenthood to legalese, the
compositions take chamber music into challenging new directions.
Fifteen Mintues of Fame
<http://www.voxnovus.com/img/Fifteen_Minutes_of_Fame_logo_new.jpg> Joe Drew
<http://www.voxnovus.com/member/pic/Joe_Drew.jpg>
Starting the proceedings is the CVs trademark Fifteen Minutes of Fame
medley, selected and performed by Joe Drew on a double-valve trumpet, which
allows him to veer between full-throated trumpet lines and more muted tones
with the flick of a finger-switch on his horn. This makes for a multicolored
mix, from the call-and-response phrases of Stop Copying Me by David
Wolfson (curator of the afternoons concert) to the outwardly concentric
echoes of Blair Whittingtons Double Identity to the bursts of trumpet
flurries offset by distant reverberations in Nuno Mauras 60 Seconds. At
the end of the sequence, Eric Knecktges Spark features a melodic dance
between the two tones in a bumblebee blur, then gives way to Louis Sauters
ironic closer Prelude, in which muted lines rise into a full-throated
crescendo and then softly fade away.
Kitty Brazelton <http://www.voxnovus.com/composer/pic/Kitty_Brazelton.jpg>
Kitty Brazelton is next up with her own composition, Bird of My Heart,
which she introduces as being about her daughter. Against delicate and
somber minor arpeggios on electric guitar by Hui Cox, she sings long and
mournful vocal lines that evoke the yearning of a parent bidding farewell as
a child leaves the nest. After a section of roiling guitar figures, the
piece shifts into a rumination on future destinations tinged with memories
of earlier times, finally ending on a piece of truth ambivalently expressed:
I know I need a change.
Laura Leon <http://www.voxnovus.com/member/pic/Laura_Leon.jpg>
Laura Leon takes the piano for the next piece, The Apian Way, by Steven
Rosenhaus. It begins with triplets that rollick along like the surface of a
moving stream, then segues into a more contemplative middle section,
wandering down and up and down the keyboard to settle into a lull; then it
kicks into a springlike section with a dancing rhythmic flow, which brings
earlier motifs full circle and ends on a harmonious major chord.
As guest curator David Wolfson sits at the piano for his composition, Two
Songs from The Particles, he explains that the particles in question are
electrons and neutrons. With soprano Sara Paar on vocals, he commences with
a lively piano cadence while she sings lyrics that seem to express the
futility of scientific inquiry: I have no idea where Im going to
with
operatic drama. The second song is softer and more reflective, with soothing
chords, a soaring melody, and lonely lyrics: All my life I havent
interacted much
Im only passing by. The active and passive particles thus
delineated, the final thought is whimsical: I just wanted to say, Oh! A
scientifically valid observation.
Having explored science, we move on to legalities. Joshua Rosemblums
Facsimile for flute and lawyer is aptly titled, with Elizabeth Mann on
flute and Philip Schatz playing attorney-at-law. While the lawyer
rehearses an official-sounding yet vapid spiel of legalese and
hereinafter, a subsequent version of or pertaining to
the flutist
joins in with counterpoints, starting with breathy flutterings and building
to melodic scales and then aggressive blasts. Like combatants in a city
apartment, the two engage in a call-and-response and a dancing interplay
between phrases and notes. At one point the flute takes over with a
soliloquy as the puzzled lawyer looks on; then he acquiesces: If the glove
doesnt fit you must acquit. Just as the pair seems locked in a stalemate,
he suddenly shuts up, turns around, and picks up a trombone joining her in
a jazzy musical duet to finish the piece. If you cant beat em, join em.
David Wolfson returns to the keys for Robinson McClellans Keyboard
Pieces. The first part begins with a series of dreamy, descending arpeggios
and builds into a bright, awakening resolution. The second piece is more
introspective, with church-like pipe-organ chords and phrases offset by
popping bass notes, unfolding like a painting of abstract watercolor
splatters, then ending on a melancholy series of chords, as if a life has
come peacefully to rest.
Closing out the afternoon is Pulse Timbre Weather Agents, by Elizabeth
Adams, performed by a quartet featuring Vita Wallace and Aaron Packard on
violin; Kristen McKeod on saxophones; and Jen Baker on trombone. The piece
begins with a series of long, foreboding chords that resemble a cross
between the scary scene in a horror movie and winds in a dark forest. From
there it gets more mysterious. The discord and intensity grow as the pitches
increase, with a closing segment that hangs like a thick cloud. The
performers smile as they bow. Its an unexpected ending to an adventurous
afternoon of music.
You can find more as well as see and hear some of the performances at the
following link: http://www.ComposersVoice.com/media/
Jack Crager <http://www.voxnovus.com/NM421/img/Jack_Crager.jpg>
Jack Crager
Composer's Voice concert
<http://www.voxnovus.com/NM421/img/14-12-12-Composers_Voice_poster.jpg>
Composers Voice - December Dance
Sunday, December 14, 2014 at 1:00 pm
December Dance This concert of live music and dance is being curated by
David Morneau and Andrea Skurr. The musicians will share the stage space
with the dancers, making this a fully integrated performance. Diego Vasquez
(clarinet) will perform a special Fifteen-Minutes-of-Fame with Andrea, who
will be choreographing based on suggestions from the selected composers.
With music and performances by Zach Herchen, Erin Rogers, Stine Moen, Brenna
Palughi, Kristen McKeon, and Geoff Landman.
The Composers Voice Concert Series is a collaboration between Vox Novus and
Jan Hus Church. Performances are short chamber concerts held at Jan Hus
Church and are an opportunity for contemporary composers to express their
aesthetic and personal voice. Fifteen-Minutes of Fame
<http://www.voxnovus.com/img/Fifteen_Minutes_of_Fame_logo_new.jpg>
Katarzyna Bryla <http://www.voxnovus.com/member/pic/Diego_Vasquez.jpg>
Andrea Skurr <http://www.voxnovus.com/member/pic/Andrea_Skurr.jpg>
Fifteen-Minutes-of-Fame with Diego Vasquez and Andrea Skurr
Sunday, December 14, 2014 at 1:00 pm
Diego is currently in his final year as a graduate student in clarinet
performance at Mannes College The New School for Music. He received his
Bachelors of Music from Ithaca College, with a minor in dance. He has
studied clarinet with Edward Cabarga, Richard Faria, Janet Hilton, Thomas
Piercy, and Charles Neidich. Diego is currently a member of the Mannes
American Contemporary Ensemble, under the direction of composer Lowell
Lieberman, and performs regularly with Ensemble Mise-en, a downtown
contemporary music ensemble. He has performed at venus such as Alice Tully
Hall and Carnegies Weill Recital Hall. Dance performances with Pearson
Widrig Dance Theater, Peter Kyle, and sculptor Roland Gebhardt.
Daydreamer and visionary at heart, Andrea Skurr has ushered dance into
sacred spaces and ordinary places since 2003. A childhood of gymnastics and
piano lessons paved the way for earning her BA in Dance and Music from
University of Wisconsin-Stevens Point. There she discovered movement as her
best medium through which to communicate, express, and inspire. She has
enjoyed working with several modern/aerial dance companies including MeCo,
Time Lapse Dance, General Mischief and Above & Beyond Dance. She has
performed at Baryshnikov Arts Center, Alvin Ailey Dance Theater, Strebs
SLAM, the JCC and Zipper Theater and across the country. In 2012, she was
blessed to engage with Vertigo Dance Company's first international training
program in Israel and afterwards traveled around the world researching the
arts and connecting with people.
Works selected for this Fifteen Minutes of Fame include:
Flamenco by Daniel Arnold,
Flowing by Rodrigo Baggio,
Jenny Kissed Me by David Bohn,
Sea Breeze by Inna Buganina,
Ostinato by Remigio Coco,
Artificial Bird by Michael Barrett Donovan,
Meandering by Myself by Thomas Goedecke,
Sun Bird by Sara Huff,
Jamboree by Emil Khoury,
Carnival Sketches by Danny Leo,
Twitch by Brian Petuch,
Orange Fairy by Nicky Sohn,
Yelling Rainbow by Juan Maria Solare,
Silhouette in Blue by Rebecca Welke, and
The Rite of Winter by Christopher M. Wicks
Composer's Voice concert
Sunday, September 28th at 1:00 pm
Jan Hus Church
351 East 74th Street (between First and Second Avenues)
New York, New York 10021
FREE ADMISSION
Upcoming Performances
Calendar <http://www.voxnovus.com/calendar>
<http://www.voxnovus.com/calendar> Calendar of Vox Novus Events
Fifteen-Minutes of Fame
<http://www.voxnovus.com/img/Fifteen_Minutes_of_Fame_logo_new.jpg>
<http://www.voxnovus.com/composer/pic/Hayk_Arsenyan.jpg>
Announcing results for Fifteen-Minutes-of-Fame with Hayk Arsenyan
Fifteen-Minutes-of-Fame: Hayk Arsenyan for piano solo is to be premiered on
January 10th, 2015 at the Brand Library & Art Center in Glendale,
California.
New York based pianist-composer Hayk Arsenyan, a native of Armenia, has
appeared in numerous recitals in USA, Armenia, Russia, France, Italy, Spain,
Canary Islands, Czech Republic, Bulgaria, Argentina, Uruguay, Syria, and
Lebanon. His performance venues have included Carnegie Hall (New York),
Palaisd'UNESCO and Salle Cortot (Paris), Tchaikovsky Concert Hall (Moscow),
"Petranka" House-Museum of Mozart (Prague), Auditorio de Miguel Delibes
(Valladolid), Dar-Al-Assad Opera House (Damascus), and appearances at the
Dame Myra Hess Concert Series in Chicago and the Phillips Collection Concert
Series in Washington DC. At the age of 11 Mr. Arsenyan made his orchestral
debut with the Armenian State Philharmonic Orchestra performing his own
Requiem for the piano and orchestra, and at the age of 17, he made his
European orchestral debut as a soloist with the Radio France Philharmonic
Orchestra, where he was awarded a platinum medal by the City of Paris.
Mr. Arsenyans concert repertoire is diverse and encompasses works from
early Baroque to New Music. An avid chamber musician and collaborator
outside of the classical music stage, he constantly strives to explore
various experimental projects with Dance, Drama and Visual Arts, such as the
Visual Landscapes multi-media project of all Alan Hovhaness piano works,
which was The New York Times pick of the week in May 2011, and was reviewed
as
One of the coolest events in NYC to go to.
Currently Mr. Arsenyan teaches at New York University Tisch School of the
Arts. He holds a Doctor of Musical Arts degree in Piano Performance and
Pedagogy from the University of Iowa and a Masters degree from the Gnessin
Music Academy in Moscow. In 2007 he was awarded the full-tuition Yevgeny
Kissin Award for the Professional-Studies performance program at Manhattan
School of Music. Mr. Arsenyan also studied the piano in Paris at
ÉcoleNormaleSupérieure de Musique de Paris Alfred Cortot and the
Conservatoire National de Region D'Aubervillier La-Courneuve. He is a
scholar of Iberian Early Music and has compiled a Performance Guide to Three
Keyboard Sonatas of Antonio Soler as a part of his Doctoral Dissertation,
published by the University of Iowa Press.
In 1993 Mr. Arsenyan became a member of the French Society of Authors and
Composers (SACEM) and two collections of his original works were published
in Paris. Several of his original works have been choreographed by the dance
departments of the University of Iowa and New York University. Mr. Arsenyan
is also a member of the Ararat International Academy of Sciences in Paris
and serves as the Academys representative in New York. Mr. Arsenyan is the
director of the Performing Arts Department at the Armenian General
Benevolent Union headquartered in New York City.
Works selected for this Fifteen Minutes of Fame include:
an Armenian Landscape by Rodrigo Baggio,
A Short, Lonely Dance by Jon Bash,
Match by Joseph Bohigian,
exordium by David Bohn,
christoforia by David Bovernoff,
escape from Hell by Carlos Hernandez,
Momentum by Jean de Lière,
Aphorisms II by Jay Derderian,
sigh of wind by Héctor Oltra García,
eleven by Stephen F. Lilly,
the two wanderers by Daniel Bonaventure Lim ,
prelude by Franc Pesci ,
remember and demand by Juan Maria Solare ,
Stonomono by Steel Stylianon , and
waiting by Rain Worthington
You <http://Fifteen-Minutes-of-Fame.com> can find more information here
http://www.Fifteen-Minutes-of-Fame.com
Fifteen-Minutes of Fame
<http://www.voxnovus.com/img/Fifteen_Minutes_of_Fame_logo_new.jpg>
<http://www.voxnovus.com/member/pic/Robert_Dick_01.jpg>
Announcing results for Fifteen Minutes of "Infamy" - Robert Dick - extended
flute
The flutist Robert Dick utilizing extended flute technique from his book the
"Other <http://www.robertdick.net/products/The_Other_Flute-4-3.html>
flute". The 15 selected works will be presented on the Composer's Voice
concert series January 25, 2015 in New York City. The one-minute pieces are
to be written specifically for this project, which will be premiered by
Robert Dick.
"Dick held the audience in rapt attention with his spellbinding virtuosity"
- Washington Post
"There are few musicians that are truly revolutionary. Robert Dick is one of
them." - Bill Shoemaker, JazzTimes
"AAAAAAAAAAAAAAAAAHHHHHHHHHHHHHH...................." - Dizzy Gillespie
With equally deep roots in classical music old and new and in free
improvisation and new jazz, Robert Dick has established himself as an artist
who has not only mastered, but redefined the flute. Known worldwide for
creating revolutionary visions of the flute's musical role, listening to
Robert Dick play solo has been likened to the experience of hearing a full
orchestra. His performances typically include flute (with his invention, the
Glissando HeadjointR)piccolo, alto flute, and bass flutes in C and F. On
special occasions, he'll bring out the giant, stand-up contrabass flute.
http://www.robertdick.net
Works selected for this Fifteen Minutes of Fame include:
Flute Song by Elizabeth Adams,
Plea by Syrlane Albuquerque,
Low Desert by Rodrigo Baggio,
Flutterer by Joseph Bohigian,
Iwabul by David Bohn,
Bypass to Otherness by Robert Dick,
Lilith Channeling by Rocco Di Pietro,
almost winter by David Drexler,
Pale Fire by Masatora Goya,
Escape Velocity by David Evan Jones,
Spray by Michael Mikulka,
In the Air by Maggi Payne,
Vishnu on a Lunch Break by Daniel Schnee,
Neanderthals of the Future by Samuel Stokes, and
Ghost of an Old Flame by David Wolfson
You <http://Fifteen-Minutes-of-Fame.com> can find more information here
http://www.Fifteen-Minutes-of-Fame.com
<http://www.voxnovus.com/member/pic/Andrew_White.jpg> Fifteen-Minutes of
Fame <http://www.voxnovus.com/img/Fifteen_Minutes_of_Fame_logo_new.jpg>
Announcing results for Fifteen-Minutes-of-Fame with Andrew White
Fifteen-Minutes-of-Fame: Andrew White to be premiered on February 8, 2015
for the Composers Voice concert Series at the Jan Hus Church in New York
City.
Dr. Andrew White currently serves on the voice faculty of the University of
Nebraska at Kearney. He holds a Bachelors and a Masters Degree, as well as
an Artist Diploma and Doctorate from The Cleveland Institute of Music/Case
Western Reserve University. Previous faculty positions include Indiana
University of Pennsylvania, The University of Akron, Hiram College, Lake
Erie College, Baldwin-Wallace College Conservatory of Music, and Ashland
University. In 1995 he made his New York debut in Weill Recital Hall at
Carnegie Hall in a program devoted to the songs of Frederick Koch with the
composer at the piano. Ken Smith of New York Concert Review hailed Andrew
White as "
a formidable interpreter
Every song composer should be so lucky
with collaborators."
Works selected for this Fifteen Minutes of Fame include:
L'adieu by Jean-Patrick Besingrand,
Private Song by David Bohn,
Brief Glimpses of Mystery, No. 4: Drunk All the Time by George Brandon,
Desire by Doug Davis,
Serenade by Arthur Gottschalk,
Clamavi by Eric Knechtges,
The Clock Strikes One The Just Struck Two by Amanda McCullough,
Ceremony, by Mike McFerron,
Oh Karma, Dharma, Pudding and Pie, Jonathan B. McNair,
At Stratford-Upon-Avon by Casey Rule,
Your check is in the mail by Juan María Solare,
Symphony of the Sea by José Jesus de Azevedo Souza,
Psalm 23 by Stephen Stanziano,
For I am Persuaded by Christopher M. Wicks, and
Epoxy Margaret by David Wolfson
You <http://Fifteen-Minutes-of-Fame.com> can find more information here
http://www.Fifteen-Minutes-of-Fame.com
Opportunities on Music Avatar
<http://www.MusicAvatar.org>
Opportunities
Music Avatar is a great new way to upload works for composer opportunities
hassle free! You will be able to submit, update, and modify your submission
all the way up to the deadline date of the opportunity. www.MusicAvatar.org
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