[Voxnovus] NM421 > February 23, 2013

[Robert Voisey (Vox Novus)]

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< <http://www.voxnovus.com/NM421/issue/13-02-16.htm> 	 February 23, 2013
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VOX NOVUS NEWSLETTER - New Music for the 21st Century	

> REVIEW: Composer's Voice - January 27, 2013 	

> POSTCARD: Trumpetitis	

ANNOUNCEMENTS	

> RESULTS: Selections for Fifteen Minutes of Fame with Jacqueline Martelle


CALENDAR OF UPCOMMING VOX NOVUS EVENTS	

> PERFORMANCE: Composer's Voice - March 1 - Premiere in Cambridge 	

> PERFORMANCE: 60x60 (2012) Voice Mix at Texas State University in San

Marcos, Texas 	

> PERFORMANCE: 60x60 (2012) Presenters Mix at Audiograft in Brookes Oxford,

England	
OPPORTUNITIES	

> Fifteen Minutes of Fame - call for scores	

> Composer's Site - composer opportunities	

NM421 ARCHIVES 	
	


Vox Novus Projects

 <http://www.voxnovus.com> Vox Novus	
 <http://www.60x60.com> 60x60	
 <http://www.voxnovus.com/composersvoice/> Composer's Voice	
 <http://www.voxnovus.com/15_Minutes_of_Fame/> Fifteen Minutes of Fame	
 <http://www.voxnovus.com/resources/American_Composer_Timeline.htm> American
Composer Timeline	
 <http://www.composerssite.com/> Composer's Site	
 <http://www.composerssite.com/> NM421 - New Music for the 21st Century	


NM421 Archives


2013	 
February	 
- February 23, 2013 <http://www.voxnovus.com/NM421/issue/13-02-23.htm> 	 
- February 16, 2013 <http://www.voxnovus.com/NM421/issue/13-02-16.htm> 	 
- February 09, 2013 <http://www.voxnovus.com/NM421/issue/13-02-09.htm> 	 
- February 02, 2013 <http://www.voxnovus.com/NM421/issue/13-02-02.htm> 	 
January	 
- January 26, 2013 <http://www.voxnovus.com/NM421/issue/13-01-05.htm> 	 
- January 19, 2013 <http://www.voxnovus.com/NM421/issue/13-01-05.htm> 	 
- January 12, 2013 <http://www.voxnovus.com/NM421/issue/13-01-05.htm> 	 
- January 05, 2013 <http://www.voxnovus.com/NM421/issue/13-01-05.htm> 	 
2012	 
December	 
- December 29, 2012 <http://www.voxnovus.com/NM421/issue/12-12-15.htm> 	 
- December 22, 2012 <http://www.voxnovus.com/NM421/issue/12-12-15.htm> 	 
- December 15, 2012 <http://www.voxnovus.com/NM421/issue/12-12-15.htm> 	 
- December 08, 2012 <http://www.voxnovus.com/NM421/issue/12-12-08.htm> 	 
- December 01, 2012 <http://www.voxnovus.com/NM421/issue/12-12-01.htm> 	 
November	 
- November 24, 2012 <http://www.voxnovus.com/NM421/issue/12-11-24.htm> 	 
- November 17, 2012 <http://www.voxnovus.com/NM421/issue/12-11-17.htm> 	 
- November 10, 2012 <http://www.voxnovus.com/NM421/issue/12-11-10.htm> 	 



Announcements 



Selections for the 
Fifteen-Minutes-of-Fame: 
with Jacqueline Martelle 

 
<http://www.voxnovus.com/member/pic/Jacqueline_Martelle-James_J%20_Kriegsman
n_Jr_photo_credit.jpg> 

After receiving many submissions from around the globe, we are proud to
announce the composers selected for Fifteen Minutes of Fame with Jacqueline
Martelle. 

The composers selected for Fifteen Minutes of Fame with Jacqueline Martelle
include: 
Silvan Abdilla, Erol Bugra Balci, Emanuela Ballio, Jonathan Blumhofer, Erik
Branch, Inna Buganina, Fermino Gomes, Tom Hamilton, David Heinick, Vladimir
Karpenko, Albert HC Manders, Jennifer Merkowitz, Troy Ramos, Blair
Whittington, and Christopher Wicks 

You can find more out at:
<http://www.voxnovus.com/15_Minutes_of_Fame/featuring/Jacqueline_Martelle/>
http://www.voxnovus.com/15_Minutes_of_Fame/featuring/Jacqueline_Martelle/ 



REVIEW: 
Composer's Voice 
January 27, 2013 

 Compoder's Voice <http://www.voxnovus.com/img/Composers_Voice_logo.jpg> 

New music need not be innovative to be good. While every work is in a sense
an experiment or study, novelty for its own sake can prove a tiresome
gimmick when the exploitation is left unexhausted. Likewise, it is possible
to look backwards to preexisting models in the classical tradition without
denying the present or sounding derivative. It's a fine line, and not a
little subjective, but it has much to do with self-contained-ness and
avoidance of parody. If composers treat their material in an appropriate
aesthetic, but develop it well and fully, the piece cannot be said to have
forfeited its sense of identity. Likewise, the flaw in many retrogressive
works is not in their having a reference point, but in their simplification
of it in replication; a failure to address the full complexity of the model
and subsequent reduction of it to a few superficial-though-recognizable
features. 

The composers presented in the January 27th Composer's Voice concert at Jan
Hus Church largely succeeded, despite the traditionalism of their music, by
creating tautly constructed miniatures, which remained committed to
exploring a few effects or Affekts with brevity and parsimony. Writing a
miniature is a challenging exercise in discipline, of discarding the
superfluous, even if it is attractive, and of ingenuity, since, inhibited
from sprawling unfoldings, development must sprout from the smallest germ
seeds. Composers who can harness the qualities of the genre emerge with gems
of precision, elegance, and restraint. 

 My Dad's Violin <http://www.voxnovus.com/img/My_Dads_Violin_logo.jpg> 

The Sunday afternoon concert began with four shorts written for the Douglas
DaSilva documentary, My Dad's Violin, which spins the history and mystery
behind the eponymous family heirloom, while showing several violinists
putting the instrument through its paces. Several of the musicians play new
works commissioned for the film, these examples having been performed this
day by with sharp incisiveness and unsentimentality by Lynn Bechtold. Each
is rooted firmly in the harmonic language and technical demands of 20th
Century tonal modernism, the dominant classical idiom at the time Mr.
DaSilva's father was studying at Peabody Conservatory. 

Ken Paoli's Cadenza recalls Hindemith, with empty, longing desolation hiding
within those formal open harmonies. 

Milica Paranosic's uspavanka(lullabye) offers a simple melody almost as a
found object, repeated in three variants, one on low strings, one, more
impassioned, on high strings with double-stops, and the last in tender
pizzicato. 

Zelante(zealous), by Juan Maria Solare, is a frantic, off-balance tango,
Piazzolla as misheard by Bartok. 

 Steve Cohen <http://www.voxnovus.com/composer/pic/Steve_Cohen.jpg> 

The four-minute suite concluded with Steve Cohen's Dear Old Dad, a seemingly
lost dance from Soldier's Tale. Each piece worked by keeping its scope and
ambitions in check, and maintaining a narrow focus. None tried to say too
much, and nothing was left unsaid. 

Hypertext II links digressively to composer Can B. Bilir's several musical
personalities, referencing fragmented pointillism, following a detour to a
microtonal folk song on a ney, before returning to the main page, only to
get lost surfing bouncy Impressionism. Several complete miniatures tied
together by a common conceit, they achieve a semblance of unity by
connecting between one another and internally within themselves. It's a
musical concept that predates Windows, but one which could be further and
more consciously exploited by means of common connecting material, which
explains the relevance of each section to the other, and follows the
narrative even less linearly. Flautist Linda Wetherill played musically and
with attractive tone throughout, though clearer stylistic distinctions might
have driven home the concept more effectively. 

 Nailah Nombeko <http://www.voxnovus.com/composer/pic/Nailah_Nombeko.jpg> 

Nailah Nombeko imbued her violin/piano duo, Obscurity, with a brooding
Debussy-esque Impressionism. It made no excuses for its straightforward ABA1
structure, song form an appropriate choice for so lyrical a work. 

As a vignette, the appropriation of so specific a sound-world seemed more
like an evocation of a bygone era than an attempt at facsimile or pastiche,
and with its formal simplicity felt like a lovely palate cleanser. Stanichka
Dimitrova' stone was well suited to the aesthetic, her slightly guttural
nasality and Romantic, long, arching phrasings not dissimilar from the
violinists of the Golden Age of recordings. Noah Palmer, her partner,
supported her with a broad palette of tone colors and a suave, almost bluesy
legato. 

Greg Caffrey's Takemitsu's Dream for solo guitar consisted of a series of
brief prelude-like movements, each devoted to a single effect or gesture,
starting with a pentatonic flamenco fantasy. The work as a whole was much
more concrete than anything Toru Takemitsu himself wrote; this composition
seemed the attempt a reconstruction of Takemitsu's source material, as
presented in a dream, before being obscured by the gauze of waking and being
notated, half remembered, in a score. Diego Campagna's playing was
full-bodied, often muscular, and made excellent us of pace and silence. 

 Parhelion Trio <http://www.voxnovus.com/member/pic/Parhelion_Trio.jpg> 

The Parhelion Trio premiered its Fifteen-Minutes-of-Fame program last
summer. While the group, made up of Sarah Carrier on flute, Gloria Medina on
clarinet, and Andrea Christie on piano, displayed good ensemble, vitality,
and panache, the reverberant acoustics of the venue and a piano with a very
dull, deadened tone did not lend themselves to a full appreciation of the 15
one-minute commissions. Jan Hus is no less mushy, but with a livelier, if
too boomy and percussive, piano, Ms. Christie was able to exercise a new
assertiveness, drive, and leadership over the proceedings. Ms. Carrier and
Ms. Medina, meanwhile, lost nothing of their musical awareness and subtle
timbral matching. Heard for a second time, the miniatures appeared as almost
new works. Especially noteworthy this time were: 

Flow - Cameo, by Peter Nickol, a pop/folk song that went astray before a
satisfying wind-down. 

In Selah, by Juan Maria Solare, the winds offer a witty, if furtive chatter
above a plucked piano bass. 

Michael Mikulka's 22? Distant also relied on Ms. Christie playing inside the
piano, the winds emerging from her figures and gestures, all things rising
from one another. 

Luca Vanneschi's Parhelion depicted the solar phenomenon aptly: the piano
accompanied with a cantus firmus atmospherically, eerily sotto voce winds,
as their winding dissonances created expanding harmonics into the lingering
delay of the church. 

Bleep Blip City, by Denton McCabe, blew apart vernacular pretenses, a
chamber music love child of OingoBoingo and Torture Garden. 

Jean-Pierre Vial's Haloing Fantasia was chromatic and languorous, redolent
of a Poulenc melodie. Its melodic Romanticism was slick, but enjoyable,
concluding in a hilariously unresolved final chord. 

Qualitatively, the pieces varied, but all were competently conceived and
worked well within their minute limit, suggesting that necessity can be both
the mother of invention, and of coherent concision. 

 <http://www.voxnovus.com/composersvoice/program/13-01-27.htm> You can view
the entire program at this link"
http://www.voxnovus.com/composersvoice/program/13-01-27.htm 



Trumpetitis

 Trumpetitis
<http://www.voxnovus.com/NM421/issue/postcard/13-02-23-Trumpetitis.jpg> 

Aspiring musicians who take up brass instruments in their formative years
often fall victim to chronic ailments. The euphonium, the sudrophone, the
flugelhorn, the sackbut - each will compromise the well-being of the player
who approaches the instrument with anything less than due diligence. Even
the common cornet when played recklessly can cause trumpetitis, a
debilitating disorder whose pathology includes an annoying ringing in the
ears, a compulsion to slaver, and grossly extruded lips. "They never warned
us about this in band camp!" groused the now permanently pouting Doris
Dinklaker. 
 <http://www.davidgunn.org> - David Gunn - www.davidgunn.org 



Calendar 

 <http://www.voxnovus.com/calendar> Calendar of Vox Novus Events 	


Upcomming Performances 

 Composer's Voice in Cambridge
<http://www.voxnovus.com/img/Composers_Voice_logo_2012.jpg> 


Composer's Voice
debuts in Cambridge 
with Fifteen Minutes of Fame



Friday
March 1, 2013 1:00 PM


Composer's Voice concert series will not pull punches for its debut
performance at Dudley House in Harvard University. The concert will premiere
Fifteen Minutes of Fame Re-Imagining Debussy with Stephen Porter. 


Fifteen-Minutes-of-Fame


Fifteen-Minutes-of-Fame: Re-Imagining Debussy is 15 one-minute pieces by 15
composers from around the world, writing specifically for Stephen Porter on
the theme of Debussy in celebration of his 150th birthday. This
international collection of composers include: Anna Aidinian, Erik Branch,
Remigio Coco, Cindi Hsu,Giuseppe Lupis, Steven Markowitz, Serban Nichifor,
James Soe Nyun, D. Peters; P. M. Reilich, Juan Maria Solare, Aurelio Scotto,
Jose Jesus de Azevedo Souza, Anne-Marie Turcotte, and Darren Wirth. 
For more information visit: 
http://www.voxnovus.com/15_Minutes_of_Fame/featuring/Stephen_Porter/ 

  <http://www.voxnovus.com/member/pic/Stephen_Porter_01.jpg> 

American pianist Stephen Porter was named artist-resident of the Cite
Internationale Des Arts in Paris, and invited to give recitals of the music
of Claude Debussy during the composer's 150th birthday year. (BOSTON MUSICAL
INTELLIGENCER) "Stephen Porter has a thorough knowledge of and clear
affinity for Claude Debussy's Preludes...masterful" (BERKSHIRE REVIEW)
Praises Porter's performance of Schubert's B Flat Sonata,"...the slow
movement, broad, grave, and not without its despairing moments, was
especially moving... his sense of timing in the coda was perfect, bringing
the monumental sonata to a close appropriate to its scale, nobility, and
emotional depth...a compelling and moving performance." 

Balancing the evening with longer works Composer's Voice will present the
chamber works of Jason Huffman, John Harbison, Marti Epstein, and Chris
Coughlin. 

John Harbison's music is distinguished by its exceptional resourcefulness
and expressive range. He is considered to be "original, varied, and
absorbing - relatively easy for audiences to grasp and yet formal and
complex enough to hold our interest through repeated hearings - his style
boasts both lucidity and logic" (Fanfare). 

Having been hailed as "engaging," "dramatic," "epic," and occasionally
"truly odd," Christopher Coughlin's music is best characterized by an
extreme attentiveness to melodic contour and emotional depth. 

Composer's Voice Concert Series is an opportunity for contemporary composers
to express their musical aesthetic and personal "voice" created in their
compositions. Started in 2001, the "Composer's Voice" concert series is
presenting its 100th of concert scheduled in NYC for 2013. Composer's Voice
presents its first Boston, Massachusetts concert 8:00PM Friday, March 1,
2013. Information on the Composer's Voice can be found at the following
link: http://www.voxnovus.com/composersvoice/ 

Composer's Voice concert

Friday, March 1st, 2013 8:00PM
Common Room in Lehman Hall (Dudley House)
Harvard University
Cambridge, Massachusetts, 02138 
$10 Suggested Donation


 60x60 <http://www.voxnovus.com/img/60x60_2012_logo.jpg> 



60x60 (2012) Voice Mix 


Wednesday 
February 26, 2013


Music Recital Hall
Texas State University in San Marcos
San Marcos, Texas


60x60 Voice Mix performance scheduled on Tuesday, February 26 at 7:30 in the
Music Recital Hall at Texas State University in San Marcos, Texas

 <http://www.music.txstate.edu/events.html#> Visit the Texas State
University in San Marcos event page for more information. 

The 60x60 (2012) Voice mix is the first 60x60 mix comprised of works which
incorporate the human voice. Thomas Gerwin is the audio coordinator for the
60x60 (2012) Voice Mix. 

This will be the U.S. premier of the 60x60 Voice Mix. The 60x60 Voice mix
was specifically created for the International Sound Art Festival Berlin in
October 2012 which focused on the voice. The human voice is not only an
essential part of each and every communication, but also the oldest musical
instrument. It expresses since ever most spontaneously, natural und
precisely emotions, quite directly as well as artfully formed and modulated.


Composers in the 60x60 (2012) Voice Mix include:
Warren Burt, Bernard Clarke, Alison Conard, Adam Cullen, Leonardo Duerto,
Tilted Eardrum, Mark Eden, Kramer Elwell, Soressa Gardner, Richard Dee Hall,
Nathan Halverson, Andrew Heathwaite, Chih-Fang Huang, Karl Heinz Jeron,
Allison Adah Johnson, Brad Kemp, Joan La Barbara, Sebastien Lavoie, Hoyong
Lee, Augustine Jan Seth Maranatha Bannatyne Leudar, Moises Linares, J Henry
Hartman Lowengard, Sylvi macCormac, Liam Molloy, Tomoko Momiyama, Josua
Moreno, David Morneau, David Moscovich, KO. DO. NA, Julia Norton, Linda O
Keeffe, Lefteris Papadimitriou, Robert James Pierson, La Cosa Preziosa,
Holland Sangster, Nigel Lorimer Simpson, David Jason Snow, Juan Maria
Solare, Eli Stine, Nathan Tamborello, Benjamin D Taylor, Matilda Jane
Thayer, Dixie Treichel, Ultra Violins, Robert Voisey, Lisa Whistlecroft,
Logos Women, Sabrina Pena Young, and Nena Zinovieff 
 <http://www.voxnovus.com/60x60/2012_Voice_Mix.htm> Click here for the
Concert Program of the 60x60 (2012) Voice Mix 

Music Recital Hall
Texas State University in San Marcos
San Marcos, Texas
FREE ADMISSION


 60x60 <http://www.voxnovus.com/img/60x60_2012_logo.jpg> 



60x60 (2012) Presenters Mix 


Wednesday 
February 27, 2013




Audiograft 2013

Sonic Art Research Unit
School of Arts
Oxford Brookes University
Headington, Oxford, OX3 0BP


The Sonic Art Research Unit at Oxford Brookes University are delighted to
announce the 3rd annual Audiograft Festival of experimental music and sound
art. 

Taking place around Oxford from Monday 25th February to Sunday 3rd March.
There are numerous installations and performances from Wednesday 27 to
Saturday 2 March. Audiograft is co-promoted by OCM. 

Over the last three years Audiograft has consistently presented challenging
and exciting contemporary work by musicians and sound artists of
international repute to the widest possible audiences in and around Oxford. 

Highlights of this year's festival: 
. 2012 Sonic Art British Composer of the year Ray Lee's latest work, Chorus.

. An exhibition of works at Modern Art Oxford by pioneering German sound
artist Rolf Julius. 
. 60x60, sixty one minute compositions from composers from around the world,
present at Oxford Brookes on Wednesday 27th February. 
. Daniel Teruggi will present his own compositions alongside a programme of
classic works made at the GRM during its distinguished history. Virtuoso
recorder player Susanna Borsch performs works for recorder and live
electronics, including the British premiere of Sohrab Uduman's composition,
Chants, Airs, Dances. 
. A realisation of Samuel Beckett's radio play Cascando by John Tilbury; and
the SET Ensemble performing James Tenney's Swell pieces; whilst Tim
Parkinson performs Phill Niblock's bracing Pan Fried 27.5. 
. Maverick minimalist composer Phill Niblock, will present his dense
microtonal droneworks at the closing night of the festival, at Modern Art
Oxford on Saturday 2 March. 
. REF4mation: Paul Dibley will be performing with Tim Howle (university of
Kent), Iain Harvie and Brett Gordon to present a performance incorporating
piano and electronics. 
Tickets from free - ?5 
www.audiograft.com 


Composers in the 60x60 (2012) Presenters Mix include:
Liana Alexandra, Ricardo Arias, Dennis Bathory-Kitsz, Rich Bitting, Benjamin
Boone, Scott Brickman, George Brunner, Paul Clouvel, Zlatko Cosic, Douglas
DaSilva, Brad Decker, Paul Dibley, Erin Dougherty, Leonardo Duerto, Chris
Flores, Douglas Geers, Josh Goldman, Melissa Grey, David Gunn, Bruce
Hamilton, Dorothy Hindman, Yoko Honda, Lynn Job, Aaron Krister Johnson, Tova
Kardonne, Juraj Kojis, Patrick Liddell, Elainie Lillios, Moises Linares,
John Link, Blake Martin, Charles Norman Mason, Mike McFerron, Jeff Morris,
Serban Nichifor, Rich O'Donnel, Michael James Olson, David R Peoples, Kala
Pierson, Christopher Preissing, William Price, Gene Pritsker, Robert
Ratcliffe, Robert Sazdov, Jacky Schreiber, Nivedita ShivRaj, Alan Shockley,
Juan Maria Solare, Adam Sovkoplas, Adam Stansbie, Allan Strange, Eldad
Tsabary, Katerina Tzedaki, Jeremy Van Buskirk, Robert Voisey, Patricia
Walsh, Andrew Walters, Rodney Waschka, Aaron Word, and Sabrina Pena Young 
 <http://www.voxnovus.com/60x60/2012_Presenters_Mix.htm> Click here for the
Concert Program of the 60x60 (2012) Presenters Mix 

60x60 Presenters Mix
Audiograft
Headington Hill Hall
Oxford Brookes University
Oxford OX3 0BT
Free Admission

For more informaiton visit: 
 <http://consumerwaste.org.uk/audiograft/events.html>
http://consumerwaste.org.uk/audiograft/events.html 



Opportunities 

 Fifteen Minutes of Fame
<http://www.voxnovus.com/img/Fifteen_Minutes_of_Fame_logo.jpg> 



Fifteen Minutes of Fame 

CALL FOR WORKS


Fifteen-Minutes-of-Fame: Occupy Cello 
with Craig Hultgren 


Deadline March 1, 2013

  <http://www.voxnovus.com/member/pic/Craig_Hultgren_05.jpg> 

Vox Novus is calling for one-minute pieces for cello solo composed for
Fifteen-Minutes-of-Fame with Craig Hultgren to be performed Sunday, May 19,
2013 for the Composer's Voice concert series at the Jan Hus Church in New
York City. Another performance will also be presented in Birmingham,
Alabama. The one-minute pieces are to be written specifically for this
project, which will be performed by Craig Hultgren. The theme for this
Fifteen Minutes of Fame is Occupy Cello - Upsetting the Musical Status Quo
For acoustic solo cello Criteria for selection: Playable forward-looking
concepts that challenge the traditional role of the instrument Resource for
contemporary cello techniques 

 <http://www.voxnovus.com/15_Minutes_of_Fame/calls/#13-03-01> Click here for
more details 
 Composer's Site <http://www.voxnovus.com/img/Composers_Site_logo-250.jpg> 


Seoul International Computer Music Festival 2013 

Posted: 21 Feb 2013 08:55 AM PST

Web site: 
http://computermusic.or.kr/ 
Expiration of Opportunity: 
Thu, 2013-02-28 
Entry Fee: 
0.00 

Call For Works
Seoul International Computer Music Festival 2013
Oct. 29 - Nov. 2, 2013

Published date: 
21 Feb 2013 

read more
<http://composerssite.com/content/seoul-international-computer-music-festiva
l-2013> 

 
<http://feeds.feedburner.com/~r/cpccExpiringOpportunities/~4/uxFrWJwMx80?utm
_source=feedburner&utm_medium=email> 

McKnight Visiting Composer Residencies 

Posted: 13 Dec 2012 11:05 AM PST

Web site: 
http://composersforum.org/program/mcknight-visiting-composer-residencies 
Expiration of Opportunity: 
Fri, 2013-03-08 
Entry Fee: 
0.00 

McKnight Visiting Composer Residencies

Application Deadline:
Friday, March 8, 2013
Program Description:

Published date: 
13 Dec 2012 

read more
<http://composerssite.com/content/mcknight-visiting-composer-residencies> 

 
<http://feeds.feedburner.com/~r/cpccExpiringOpportunities/~4/5RiSm7Dm4Tw?utm
_source=feedburner&utm_medium=email> 

Charlotte New Music Festival & Composers Workshop, June 17-29, 2013 

Posted: 17 Jan 2013 01:09 PM PST

Web site: 
http://www.charlottenewmusic.org 
Expiration of Opportunity: 
Fri, 2013-03-08 
Entry Fee: 
0.00 
Currency: 
U.S. Dollar (USD) 

Charlotte New Music Festival <http://www.charlottenewmusic.org> 
June 17-29, 2013, Charlotte, NC

Published date: 
17 Jan 2013 

read more
<http://composerssite.com/content/charlotte-new-music-festival-composers-wor
kshop-june-17-29-2013> 

 
<http://feeds.feedburner.com/~r/cpccExpiringOpportunities/~4/9TxKfnMtCUI?utm
_source=feedburner&utm_medium=email> 

	
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