[Voxnovus] Production Opportunity for Flute and Piano

[New Voice in New Music]

Hello All,

A little something new that Vox Novus started in the pandemic are these 
production opportunities.

This is a great way for composers to get a great audio and video 
recording.  As well as a NYC performance with great musicians dedicated 
to new music.   Including a couple of online rehearsals.

Please take a look below.


Call for Submissions
Composer's Voice Recordings with Linda Chatterton and Matthew McCright

Composer's Voice is seeking composers willing to produce their music for 
flute and piano duo.

Vox Novus is looking for composers who are interested in supporting a 
performance and LIVE online video recording of their works for flute and 
piano duo. Selected composers will have their works presented on a Live 
in-person NYC concert at DiMenna Center May 19, 2023 as well as 
simulcast broadcasted LIVE online to streaming platforms such as 
YouTube, Facebook, and LinkedIn. All performances will be archived on 
their related platforms. In addition, composers will be provided an 
audio recording of a live performance of their work.

The submitted scores will be reviewed by Linda Chatterton, Matthew 
McCright, and Vox Novus and New Music Engine administrators.

The performance of Linda Chatterton and Matthew McCright will be 
broadcasted and recorded on May 19, 2023 at the DiMenna Center in New 
York City.

In order to present this online publication of their works, composers 
will be asked to sign and agree to a consent form for online publication 
and promotion. Agreements will be non-exclusive for all parties.

The deadline to submit scores is October 31, 2022

Composers need to submit their music for flute and piano duo online to 
New Music Engine at the following link:

www.newmusicengine.org

There is a $15 submission fee to be paid to Vox Novus via PayPal here.

This is a production project. Selected composers will have to contribute 
a $750 production fee to cover musician fees and broadcasting costs. 
Composers will receive 2 online rehearsals (30 minutes each) and 
performance of the music broadcasted live online to YouTube, Facebook, 
and LinkedIn. You will have a video and audio copy your work with 
non-exclusive rights to do with what you wish. All artists and producers 
are expected to be credited in publications.

Guidelines:

Works need to be a maximum of 15 minutes in length.

Scores need to be submitted as PDF files including all parts.

An Audio Realization sound file of the work as MP3 is required.

Works need to be submitted by October 31ST 2022

150 word biography.

150 word program notes.

Selected composers are required to participate for the online 
performance with an interview and presentation of their piece. Composers 
are encourage to attend and promote the New York City performance at the 
DiMenna Center.

Selected composers will also be asked to sign a consent form for public 
online performance.

Composers selected for digital publication will be required to sign a 
publication agreement.

Composers selected will be asked to contribute $750 towards production 
costs.

Music must be written for flute and piano duo. No works for solo piano 
or solo flute will be reviewed

Work needs to be less than 15 minutes in length.

There is a submission fee of $15

Deadline for work is October 31, 2022

Work must be submitted to newmusicengine.org Composers will be asked to 
register to New Music Engine and provide the following:

Biography

Program Notes

Score as a PDF file

All instrument parts as PDF file

Audio Realization of the work uploaded as MP3 file

$15 submission fee (Merchant Transaction ID from your PayPal receipt to 
Vox Novus)

PayPal - The safer, easier way to pay online!

Composer's Voice

Submit online with New Music Engine at the following:

New Music Engine

Questions can be addressed to Robert Voisey to the following email: 
support at VoxNovus.com

LINDA CHATTERTON, Flute

"The kind of performance that sparks wild standing ovations. Definitive" 
says the American Record Guide of flutist Linda Chatterton. Ms. 
Chatterton has performed in New York at Carnegie Hall and Lincoln 
Center, was a featured recitalist on the prestigious Dame Myra Hess 
series in Chicago, and has been heard throughout the US many times on 
National Public Radio's Performance Today. A Minneapolis-based artist, 
Ms. Chatterton has performed with numerous groups including the 
Minnesota Orchestra, and she tours regularly as a duo performer with 
harp, guitar and piano. As a concerto soloist, highlights include many 
performances of traditional and contemporary repertoire in the US and 
Europe. She has served as a US State Department Arts Ambassador 
overseas.

Ms. Chatterton has commissioned, recorded and premiered dozens of new 
works. She recently gave the world premiere of Chen Yi's "Southern 
Scenes" flute and pipa concerto with the Hawai'i Symphony Orchestra, 
conductor JoAnn Falletta and pipa player Gao Hong, as well as the world 
premiere of Cuban composer Leo Brouwer's work for flute and guitar 
quartet, with the Minneapolis Guitar Quartet, in St. Paul. In 2022, she 
and guitarist Maja Radovanlija will be premiering a major new work 
written for them by Brazilian-American composer Clarice Assad, through a 
Chamber Music America Classical Commissioning grant.

Past projects include concert tours in China, Thailand, Hong Kong and 
Taiwan; a concerto performance with the State Hermitage Chamber 
Orchestra in Moscow, Russia, with a master class at the Moscow 
Conservatory; concerts and master classes in the UAE, Spain, Cuba, 
Montenegro and Romania; a concert tour of Australia with pianist Matthew 
McCright; and a sold-out concert at the DiMenna Center in New York City 
of contemporary chamber music by Hong Kong composers. Her London concert 
at the famous St. Martin-in-the-Fields concert series with McCright 
garnered the review: "Throughout the concert Chatterton displayed lovely 
tone and a fine sense of line, with technical prowess which was always 
understated, resulting in some involving and intelligent performances."

She is the first and only two-time flutist to win a McKnight Artist 
Fellowship for Musicians, and she has received many awards from the 
Jerome Foundation, the Minnesota State Arts Board, Chamber Music America 
and the American Composers Forum.

She received her Master of Music degree from the University of 
Minnesota, studying with Julia Bogorad, and her Bachelor of Music degree 
from the Eastman School of Music as a scholarship student of Bonita 
Boyd.

For more information please visit:

www.lindachatterton.com

MATTHEW MCCRIGHT, piano

American pianist Matthew McCright has performed extensively throughout 
the United States, Europe, Asia, and the South Pacific and on such 
prestigious stages as Carnegie Hall, Merkin Hall, St. 
Martin-in-the-Fields, and Ireland's National Concert Hall. He has 
thrilled audiences and critics alike with imaginative programming that 
places the greatest piano repertoire alongside the music of today's most 
innovative composers. A native of Pennsylvania, McCright now resides in 
Minneapolis, Minnesota, and is a member of the piano faculty of Carleton 
College. An accomplished recording artist, McCright has released seven 
solo recordings; his most recent Endurance on the Vox Novus label, as 
well as three albums on innova Records (Second Childhood, A Waltz 
through the Vapor, and Blender), the piano works of Gene GutchÃÆ'« 
on Centaur Records, on Albany Records of the piano music of Olivier 
Messiaen, and What is Left Behind on the Proper Canary label. His solo 
touring shows include Evening Preludes, The People's Music, 
Contemplations: The Music of Olivier Messiaen, Connecting Flights, There 
and Back Again, Forward Looking Back, and Endurance.

McCright's festival participation includes Bang on a Can at MassMOCA, 
Printing House Festival of New Music (Dublin), Late Music Festival (UK), 
SEAMUS, Hampden-Sydney Chamber Music Festival, Engelbach-Hart, Perilous 
Night, Fringe, Bridge, Spark Festival of Electronic Music, SPLICE, 
Festival of Lakes, Rayuela, Oh My Ears, Source Song, Seward Arts, 
Zeitgeist Early Music, Duquesne University's Summer Music, Music 2000, 
CCM Village Opening, and Minnesota Composers Alliance, as well as 
programs for the American Composers Forum across the country. McCright 
completed his Doctor of Musical Arts Degree in Piano Performance from 
the University of Minnesota, Master of Music Degree in Piano from the 
College-Conservatory of Music at the University of Cincinnati and earned 
his Bachelor of Music Degree in Piano Performance, Magna Cum Laude, from 
Westminster College. His past teachers include Lydia Artymiw, Lisa 
Moore, Nancy Zipay DeSalvo, and Richard Morris. He is represented by 
Proper Canary Artist Services.

For more information please visit: www.matthewmccright.org

-- 
Robert Voisey
RobVoisey at VoxNovus.com

Vox Novus
www.VoxNovus.com

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